The Konnekt series of audio interfaces include a built-in mixer and audio effects. Advanced users may want to experiment with these settings to take advantage of the mixer and effects. You may want to configure the digital inputs and outputs of the Konnekt at this time. If you are using the Studio Konnekt 48, click the Setup tab, and set the Output section as shown in the image at the right. If you are using the Impact Twin, click the Mixer tab, and match the settings to the settings in the screen shot shown at the right.
Double-click that application and follow its instructions. After running the uninstall application, be sure to restart your Macintosh before turning on the Paca rana. In the future, should you wish to reconfigure the audio interface, you will need to re-install the driver and control panel.
Windows Vista : If you are using Vista, then in the window that appears, click on the Device Manager link in the left column under Tasks. Right-click TC Near and choose Disable , as shown. This will prevent Windows from taking control over your audio interface.
The HF section can be set to bell or shelving, while the low EQ can be shelving or bass cut. The preset styles are very effective — you can get very obvious compression if you push it, but at sensible settings it has a very classy sound. Depending on how you set the input level, the output level can increase significantly as you turn up the compression, which actually regulates multiple parameters, including threshold and gain. There is a safety limiter with yellow warning LED in the compressor section, but that's no reason to get sloppy with your level setting!
A small triangle on the input meter indicates an optimal working level and if you stick to this, the compressor gain changes should be much less. It's also easy to adjust, with only three controls and a reverb type to choose from. The other bundled plug-ins are the ResFilter and the excellent Assimilator EQ, which lets you take an EQ curve from any sound an apply it to your own. According to Logic, my M-Audio 's round-trip latency with a sample buffer size at The Firewire side of the interface seemed to work pretty well, although if I switched the interface off and then back on again, I found that Logic didn't always recognise its reappearance and offer me the choice of using it — and the Control Panel usually quit.
Nevertheless, on the occasions when this happened during deliberate tests , it always came back on line if I closed and then relaunched the DAW software. The Impact Twin's firmware is likely to be tweaked and tuned a little more, so by the time you read this review that fairly minor gripe should have been addressed. Given its attractive price, impressive audio quality and sophisticated bundled effects, it is difficult to find fault with the Impact Twin. The choice becomes much wider if you just need a basic interface without the DSP frills.
The last, as I understand it, analyses the Side difference signal during playback to monitor quality loss caused by compression artifacts when creating data-compressed files. There are also controls for reverb send, pan, solo and mute, as well as a level fader and level meter. The channel meters show both input and output levels. All the other inputs have faders, reverb send, solo and mute buttons, and all channels have metering.
In the master section, you can select which DAW channel pair should be mixed with the Impact Twin's physical inputs for monitoring purposes. To make a routing, you simply click on the matrix point you'd like connected. Pros Sensibly priced.
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